Some of the speakers recalled how hard Aivazovsky endured the massacre of Armenians in 1893-1896. And he quoted the lines from the letter of the great marine painter to the Catholicos of All Armenians Mkrtich Khrimyan: “The unheard-of and unprecedented massacre of the unfortunate Armenians saddened my heart with deep pain. Your Holiness is there, I am here, and we all mourn the heavy losses of the Armenian people everywhere and mourn over them. «In protest against the barbarism of the Turks, the orator said, Ivan Konstantinovich threw into the sea all the Turkish orders that he had been awarded, and declared to the Turkish consul:» Orders given to me by your bloody master, I threw into the sea. Here are their ribbons, send him. If he wants, let him also throw my paintings into the sea, I’m not sorry … «Do you understand who Ivan Konstantinovich called the bloody master? Sultana!

Aivazovsky not only morally, but also financially supported his people. To help the Armenians who escaped the massacre, he organized an exhibition in Odessa, and divided the proceeds in half between organizations that helped the Armenians and Greeks who escaped persecution. Vardan recalled how Aivazovsky sent 3,000 francs to the Russian consul in Constantinople — «to help poor Armenians.»

And shortly before his death, as if summing up what he had lived, the great artist remarked: “Happiness smiled at me.” On his own behalf, Vardan added that even at such an advanced age, Hovhannes Konstantinovich retained all the basic properties of his rich personality. He was beautiful with that special beauty, that wisdom that is given over the years, and until the last days he retained a clear mind, sobriety of thinking and a taste for art. That is why his great life, which covered almost the entire 19th century, from its beginning to the very end, was lived with dignity. There were no storms and cataclysms in it, so frequent in his paintings. He never doubted the correctness of the chosen path and until the end of the century conveyed the precepts of romantic art, which he learned at the dawn of his work: